1444 Quotations with Arles.
- 941. Charles Eliot Norton: The voice of protest, of warning, of appeal is never more needed than when the c ...

- 942. Charles M. Schulz: The way I see it, it doesn't matter what you believe just so you're sincere.

- 943. Charles R. Brown: The white light streams down to be broken up by those human prisms into all the ...

- 944. Prince of Wales Charles: The whole imposing edifice of modern medicine is like the celebrated tower of Pi ...

- 945. Charles Bukowski: The whole LSD, STP, marijuana, heroin, hashish, prescription cough medicine crow ...

- 946. Charles Baudelaire: The whole visible universe is but a storehouse of images and signs to which the ...

- 947. Charles Haddon Spurgeon: The wishing gate opens into nothing.

- 948. Charles Dickens: The word of a gentleman is as good as his bond; and sometimes better.

- 949. Charles Kingsley: The world goes up and the world goes down, the sunshine follows the rain; and ye ...

- 950. Charles F. Kettering: The world hates change, yet it is the only thing that has brought progress.

- 951. Charles James Fox: The worst of revolutions is a restoration.

- 952. Charles Buck: Their kitchen is their shrine, the cook their priest, the table their altar, and ...

- 953. Charles Caleb Colton: Theories are private property, but truth is common stock.

- 954. Charles B. Newcomb: There are always two voices sounding in our ears -- the voice of fear and the vo ...

- 955. Charles Baudelaire: There are as many kinds of beauty as there are habitual ways of seeking happines ...

- 956. Charles Dickens: There are books of which the backs and covers are by far the best parts.

- 957. Charles "Tremendous" Jones: There are essentially two things hat will make us wiser: the books we read and t ...

- 958. Charles Baudelaire: There are in every man, always, two simultaneous allegiances, one to God, the ot ...

- 959. Charles Osgood: There are no exceptions to the rule that everybody likes to be an exception to t ...

- 960. Charles Dickens: There are only two styles of portrait painting; the serious and the smirk.

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